項(xiàng)目標(biāo)簽 設(shè)計(jì)公司:
Michel Desvigne PaysagisteOBR Paolo BresciaTommaso Principi
位置:
意大利
類型:
公園
文章分類:
景觀
標(biāo)簽:
Prato
意大利中部城市Prato市政府希望將其市中心Misericordia e Dolce舊址空地改造為一個(gè)3公頃的公園，并于2016年一月就此舉辦了一場(chǎng)國(guó)際競(jìng)賽。OBR Paolo Brescia聯(lián)手Tommaso Principi與Michel Desvigne Paysagiste，組成了一支經(jīng)驗(yàn)豐富，卻又各具所長(zhǎng)的隊(duì)伍，并憑借其獨(dú)特，新穎卻又極具實(shí)踐性的方案，在競(jìng)賽的最后階段戰(zhàn)勝了其他九位對(duì)手獲得優(yōu)勝?？傮w來(lái)說(shuō)，十個(gè)方案都展現(xiàn)了對(duì)現(xiàn)代都市與景觀關(guān)系的新思路，并最終為Parco的中央公園實(shí)現(xiàn)其區(qū)域的總體戰(zhàn)略目標(biāo)的實(shí)現(xiàn)奠定了堅(jiān)實(shí)的基礎(chǔ)。 OBR Paolo Brescia and Tommaso Principi with Michel Desvigne Paysagiste wins first prize in the international competition launched in January by the Municipality of Prato, Italy to design a 3-hectare park in the heart of the city, after the demolition of the former Misericordia e Dolce hospital. The jury, chaired by architect Bernard Tschumi, convened on Friday September 30 and Saturday October 1 to select the winner among 10 finalists. The winning project stood out for its ability to offer to the city of Prato an original, innovative and practical solution. The team, formed by experienced professionals, is characterized by a clear vision and a solid mix of different abilities. Alltogether, the 10 proposals express new ideas on the contemporary city and on its relationship with the landscape. The competition thus reached its final stage and offers to the city a concrete proposal for it Parco Centrale (Central Park): uno of the strategic objectives for the Municipality of Prato.
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2016-10-12 15:11 上傳
Prato的城市肌理，獨(dú)特而極富秩序感，從古羅馬時(shí)代遺存下來(lái)的網(wǎng)格狀空間秩序至今仍影響著如今不斷擴(kuò)張的城市的空間格局。獲勝的方案正是將這種傳統(tǒng)的空間格局抽象化，在場(chǎng)地上延續(xù)、復(fù)制，呼應(yīng)著城市的肌理。設(shè)計(jì)師計(jì)劃對(duì)古老的城墻進(jìn)行修復(fù)，并以現(xiàn)代的手法重現(xiàn)意大利文藝復(fù)興時(shí)期的花園，通過(guò)藤架與樹籬劃分空間。在基地的北側(cè)，一座一層的小建筑面向公園開放。除了容納餐廳和其他公園相關(guān)設(shè)施外，還為藝術(shù)家畫室與臨時(shí)展出提供開闊的場(chǎng)地。 The winning project pays a lot of attention to the urban fabric of the city of Prato and to its extreme regularity: an orthogonal grid which, as a trace of the ‘cardo’?and the ‘decumano’ of the Roman grid, is still very persistent and is striking for its spatial and temporal diffusion. The project hence starts from the memory of the place and from its original urban forms to manipulate them, through abstraction. It enhances the historical city wall, it evokes traces of the Italian Renaissance gardens, organized according to perspectives, pergolas and hedges, and reinterprets them in a contemporary language. To the north of the site, the pavilion is a one-storey structure, open towards the park. Beside restaurants and other park-related facilities, it accommodates ample spaces for artists’ ateliers and temporary exhibitions.
▽ 總平面圖，公園空間呼應(yīng)著城市的網(wǎng)格狀肌理，the project starts from its original urban forms
▽ 通過(guò)藤架與樹籬劃分空間，the park is organized according to perspectives, pergolas and hedges
▽ 北側(cè)的建筑向公園開放， the pavilion is a one-storey structure, open towards the park
▽ 建筑設(shè)計(jì)，drawings of the architecture
設(shè)計(jì)師說(shuō)：“這個(gè)公園如同一個(gè)開放式的博物館一般。公園的中心散落著各式的現(xiàn)代雕塑，而環(huán)繞其繁盛生長(zhǎng)的植物也經(jīng)過(guò)了精挑細(xì)選，極富美學(xué)價(jià)值，色彩繽紛而濃烈，與藝術(shù)品相較亦毫不遜色?！?/font> In the words of the designers: “The park itself soars to the status of open-air museum. In the heart of the park contemporary sculptures are exhibited, along with a collection of plants that will be selected not merely for their botanical features, but also for their aesthetic qualities, their colors, their exuberance. Displayed in such manner, these natural elements will become art pieces themselves.”
▽ 繁盛生長(zhǎng)的植物也經(jīng)過(guò)了精挑細(xì)選， a collection of plants will be selected for their aesthetic qualities
▽ 公園平面圖，plan of the park
▽ 剖面，section
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